Trip down memory lane: Hunt for the Golden Demon

You might have noticed a decent-sized gap in my posts, with the last post well over a month ago! I’ve been pretty busy with work these last few months with a big project finishing, but primarily my spare time has been taken up with cycling. I’ve signed up for a charity ride in October, which will see me ride 200+kms over a couple of days so I need to get in shape! The ride is to raise money for cancer research, here is the fundraising link if you’re interested in contributing. I used the opportunity of having nothing on the painting table to spend some time refitting the painting setup which put my painting desk out of commission for a few weeks as I 3D printed the new setup – more on that later. Regardless with a window with no new painting to show off, I figured this would be a good time to do a post I’ve been thinking about making for a while: a retrospective on my attempts at display painting and more specifically attempts at the Golden Demon competition.

Hard to believe since I’m so into army painting these days, but for a few years around 2007-11 I was mainly into display painting, and had quite a few cracks at Golden Demon. I’ve never photographed these before which is a bit of a shame as a few aspects of them have aged poorly over the intervening years, but from that we can extract a bit of advice so not all is lost!

The Early Years 2007-2008

I had my first crack at Golden Demon in 2007, and got my first and only result (barring some finalist pins) with a bronze! This was an interesting category they called “Master” where we had to paint the special golden demon model for the year unconverted. You can see the Gold and Silver entries over at the Golden Demon Compendium.

Here he is next to the trophy looking rather chuffed with himself!

Of note (and you’ll see this again on the next model, much worse) is the water. I used PVA for it (I had nothing better at the time!) and while it looked fine at the time it has gone a bit cloudy since then.

Next up is my 2008 entry: Merry from the Lord of the Rings

This model is minuscule so I was pretty happy of the detail I managed to get into it at the time. Funny story about this model, the way Golden Demon used to work in Australia was that you would have a round in individual stores, then the models that did well in that were sent to Sydney for the “proper” Golden Demon event. This model was sent to Sydney and we sat around the Perth Games Workshop store waiting to hear results. The phone call came in and I had won … the Youngbloods (under 14s) category! As a 20 year-old that was a bit of an issue, and we duly called the Sydney store to let them know my model had ended up in the wrong category. They ended up re-judging the Lord of the Rings single miniature category and I ended up with a finalist pin for my troubles.

From an ageing perspective, a couple of lessons from this model: 1) as above I used PVA for the river and that has gone completely cloudy over the years – don’t use PVA for your water effects! 2) The moss I used on the base was nice and green when I put it there and as you can see it’s gone a lovely golden colour now. I believe you can seal moss with some products nowadays to prevent that from happening but I had no idea about that at the time.

The Staff Years 2009-2011

I joined the staff at my local store after that and so needed to enter the Staff category rather than the regular categories. This made trophy availability a bit tricky as the staff category was just a single category judged on top 3 across all the staff in the country and there were some very good painters in the staff at the time. I don’t quite remember which order I painted these miniatures in, but I think this is right:

Eowyn is one of my favourite models I’ve ever painted, she’s gone a bit glossy over the years unfortunately, but given the size of the model I was very proud of the detail I captured there. It was also one of my first attempts at Non-Metallic-Metal which was all the rage at the time.

Lokhir Fellheart is a very cool Dark Elf model from the old Warhammer range. I remember having lots of fun painting this model, trying out a more limited palette. The sculpted waves were fun to do as well. Also some NMM on this model.

This work nob with banner marked a return to a more “realistic” style with metallic paints and some nice grime. I was definitely inspired by some of the French painters a the time which had some really great treatments of metallic areas.

Wrapping up

I hope you’ve enjoyed my trip down memory lane, it’s been fun looking at and thinking about the context of those models. I was lucky to even get a trophy, looking at the standard in painting competitions these days the bar is so high I’m not sure I’d be able to compete.

As I mentioned at the start, one of the impediments to me doing any painting has been my painting desk has been out of commission as I printed new infrastructure. I backed the PaintPal Studio XP kickstarter which is a modular set of paint racks, and got the files a few weeks back.

It was quite a lot of printing, but it’s made for quite a neat setup. I’ve already started painting again and hope to have something to show soon-ish, I’ve embarked on something a little bigger than my usual posts so it might still be a while away.

Ork Meganobz

Continuing on the 100 miniature target for the 1 Million Miniatures challenge, here’s the next set of miniatures into the speed painting grinder: 9 Ork Meganobz!

I’ve already painted three of these quite a while ago, although in the bright yellows of the Bad Moon clan. This time I went for Goff colours, as I’ve been wanting to paint other clans for my orks.

The paint scheme is relatively simple for these, starting with a silver undercoat, followed by randomly picking out panels in Vallejo Heavy Red, black (Vallejo Model Black), light grey (Vallejo Heavy Bluegrey), and bronze tones (Scale75 Necro Gold and Vallejo Tinny Tin). For a few areas I also added markings like the checkered patterns so characteristics to Orks, as well as other simple shapes.

This accounts for most of the models, but they also have a few more organic areas, such as the flesh and clothes. The flesh was base coated in dark green (Vallejo Heavy Blackgreen) and the pants in brown (Vallejo Chocolate Brown). I then picked out all the wiring in a variety of colours, and did an all over wash of Citadel Agrax Earthshade.

For highlights, started by picking out raised areas on all metal panels (painted or not) with a bright silver (Citadel Runefang Steel). I then went over the red panels with some patchy Vallejo Heavy Red, and picked out the checkers and other white areas with a mix of the base coat (Vallejo Heavy Bluegrey) and an off-white (AK Ivory). I then liberally applied thinned down rusty brown (Vallejo Parasite Brown) all over the non-bronze metallic areas, and a copper oxide colour (Citadel Nihilakh Oxide) over all the bronze panels. For the skin highlights I did two highlights over the base coat, by first doing a 50/50 mix of the base colour (Vallejo Heavy Blackgreen) and Vallejo Goblin Green, then a final highlight of the pure Goblin Green.

Overall I’m happy with the outcome, and thoroughly enjoyed the process. Painting rusty models is always a lot of fun and lends itself well to faster painting as the whole process can be pretty loose. These models take my tally up to 79, so getting pretty close to the 100 mark which is good with a bit under a month left for the challenge.

Ghoulish Speed Painting

I’ve been busy trying to get through the remaining miniatures needed for the 100 target I have in the 1 Million Miniatures challenge. I left the last post at 36, and with just over a month left I needed a bit of a speed boost. Luckily for me I found 29 of the most speed paintable miniatures: Ghouls!

So why are they so speed paintable? Well they’re mostly organic materials, which lend themselves really well to airbrushing and washing, which are two elements that help you get far fast. On top of that, they’re mostly one organic material: skin!

To get these done fast, I leveraged my airbrush to get a terracotta colour base coat, followed by a dead flesh zenithal (from above) spray. I then picked out bones, fur, leather, stone, using contrast paints, and painted over the metal areas.

Airbrushed and contrasted!

I then airbrushed some acrylic floor polish all over them (an old military modelling trick – basically a cheap way to get gloss varnish). Once that was dry (helped along with a hair dryer), I did an all over oil wash with a mix of terracotta, magenta, brown, and a blueish grey to get a brownish purple with some red accents. Again I helped it along with a hair dryer before wiping the oil off the raised areas with some makeup sponges. I then applied some texture paste and grass clumps to the bases and left everything to dry/cure overnight.

Washed and Based!

The next morning I did a brown acrylic wash over the bases, painted the base rims, airbrushed on some matt varnish and painted on some blood effects on their mouths and hands. Overall painting time was approximately 4h split over the two sessions ~2.5 hours before the overnight drying session, and an hour or so for the final touches. So nice and quick for 29 models!

I quite like this kind of painting, it’s quite cathartic to just glob oil paint all over your models knowing you can clean them up after. There’s not too many models you can do this to however. I did do something similar in the past with acrylic washes for the Goblin Town models, but I think I like the oil route better, it’s more controllable and the extended drying time is actually really helpful when doing so many models.

I also tried out my new Dark Eldar scheme on some Wyches:

They’re probably a little rough for my liking, so I might take my time a bit more on the next batch, but they still look nice at table level.

Anyway that adds a nice 34 extra miniatures to my tally, taking me up to 70 total which is a much more comfortable place to be with little over a month to go in the challenge. Let’s see what catches my fancy next!